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(1)The owner of the copyright in a work has, in accordance with the following provisions of this Chapter, the exclusive right to do the following acts in the United Kingdom—
(a)to copy the work (see section 17);
(b)to issue copies of the work to the public (see section 18);
(c)to perform, show or play the work in public (see section 19);
(d)to broadcast the work or include it in a cable programme service (see section 20);
(e)to make an adaptation of the work or do any of the above in relation to an adaptation (see section 21);
and those acts are referred to in this Part as the “acts restricted by the copyright”.
(2)Copyright in a work is infringed by a person who without the licence of the copyright owner does, or authorises another to do, any of the acts restricted by the copyright.
(3)References in this Part to the doing of an act restricted by the copyright in a work are to the doing of it—
(a)in relation to the work as a whole or any substantial part of it, and
(b)either directly or indirectly;
and it is immaterial whether any intervening acts themselves infringe copyright.
(4)This Chapter has effect subject to—
(a)the provisions of Chapter III (acts permitted in relation to copyright works), and
(b)the provisions of Chapter VII (provisions with respect to copyright licensing).
(1)The copying of the work is an act restricted by the copyright in every description of copyright work; and references in this Part to copying and copies shall be construed as follows.
(2)Copying in relation to a literary, dramatic, musical or artistic work means reproducing the work in any material form.
This includes storing the work in any medium by electronic means.
(3)In relation to an artistic work copying includes the making of a copy in three dimensions of a two-dimensional work and the making of a copy in two dimensions of a three-dimensional work.
(4)Copying in relation to a film, television broadcast or cable programme includes making a photograph of the whole or any substantial part of any image forming part of the film, broadcast or cable programme.
(5)Copying in relation to the typographical arrangement of a published edition means making a facsimile copy of the arrangement.
(6)Copying in relation to any description of work includes the making of copies which are transient or are incidental to some other use of the work.
(1)The issue to the public of copies of the work is an act restricted by the copyright in every description of copyright work.
(2)References in this Part to the issue to the public of copies of a work are to the act of putting into circulation copies not previously put into circulation, in the United Kingdom or elsewhere, and not to—
(a)any subsequent distribution, sale, hiring or loan of those copies, or
(b)any subsequent importation of those copies into the United Kingdom;
except that in relation to sound recordings, films and computer programs the restricted act of issuing copies to the public includes any rental of copies to the public.
(1)The performance of the work in public is an act restricted by the copyright in a literary, dramatic or musical work.
(2)In this Part “performance”, in relation to a work—
(a)includes delivery in the case of lectures, addresses, speeches and sermons, and
(b)in general, includes any mode of visual or acoustic presentation, including presentation by means of a sound recording, film, broadcast or cable programme of the work.
(3)The playing or showing of the work in public is an act restricted by the copyright in a sound recording, film, broadcast or cable programme.
(4)Where copyright in a work is infringed by its being performed, played or shown in public by means of apparatus for receiving visual images or sounds conveyed by electronic means, the person by whom the visual images or sounds are sent, and in the case of a performance the performers, shall not be regarded as responsible for the infringement.
The broadcasting of the work or its inclusion in a cable programme service is an act restricted by the copyright in—
(a)a literary, dramatic, musical or artistic work,
(b)a sound recording or film, or
(c)a broadcast or cable programme.
(1)The making of an adaptation of the work is an act restricted by the copyright in a literary, dramatic or musical work.
For this purpose an adaptation is made when it is recorded, in writing or otherwise.
(2)The doing of any of the acts specified in sections 17 to 20, or subsection (1) above, in relation to an adaptation of the work is also an act restricted by the copyright in a literary, dramatic or musical work.
For this purpose it is immaterial whether the adaptation has been recorded, in writing or otherwise, at the time the act is done.
(3)In this Part “adaptation”—
(a)in relation to a literary or dramatic work, means—
(i)a translation of the work;
(ii)a version of a dramatic work in which it is converted into a non-dramatic work or, as the case may be, of a non-dramatic work in which it is converted into a dramatic work;
(iii)a version of the work in which the story or action is conveyed wholly or mainly by means of pictures in a form suitable for reproduction in a book, or in a newspaper, magazine or similar periodical;
(b)in relation to a musical work, means an arrangement or transcription of the work.
(4)In relation to a computer program a “translation” includes a version of the program in which it is converted into or out of a computer language or code or into a different computer language or code, otherwise than incidentally in the course of running the program.
(5)No inference shall be drawn from this section as to what does or does not amount to copying a work.
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