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11(1)This paragraph makes transitional provision in relation to paragraph 5.
(2)The amendments made by that paragraph do not apply in relation to an orchestral concert or concert series if—
(a)it has entered production before 1 April 2024, and
(b)the separate orchestral trade in respect of it ceases before 1 April 2025.
(3)Sub-paragraph (4) applies if—
(a)an orchestral concert or concert series has entered production before 1 April 2024,
(b)the separate orchestral trade in respect of the concert or series continues on or after 1 April 2025,
(c)the production company’s company tax return for the first accounting period that ends on or after 1 April 2025 is accompanied by a statement of the amount of the core expenditure on the concert or series incurred before 1 April 2025 that is European expenditure, and
(d)that statement shows that, in respect of core expenditure incurred before 1 April 2025, the European expenditure condition is met.
(4)The company’s entitlement to—
(a)an additional deduction under section 1217RD of CTA 2009, or
(b)a tax credit under section 1217RG of that Act,
is unaffected by a failure to meet the UK expenditure condition so far as the entitlement derives from expenditure incurred before 1 April 2025.
(5)For the purposes of sub-paragraph (4), an entitlement to a tax credit under section 1217RG of CTA 2009 derives from expenditure incurred before 1 April 2025 to the extent that it would arise if only costs incurred and income received before that date were taken into account in calculating the surrenderable loss of the company for the purposes of section 1217RH of that Act.
(6)Sub-paragraph (7) applies in relation to an orchestral concert or concert series in respect of which the separate orchestral trade continues on or after 1 April 2025.
(7)The reference in section 1217TA(1) of CTA 2009, as amended by paragraph 5(2)(c), to a statement having been made under section 1217T(2) of that Act includes reference to a statement having been made under that provision in relation to the European expenditure condition.
(8)But the application of section 1217TA(1) of CTA 2009 as so amended is subject to sub-paragraph (4) (where that sub-paragraph applies).
(9)In this paragraph—
“orchestral concert”, “concert series”, “separate orchestral trade”, “production company” and “core expenditure” have the same meanings as in Part 15D of CTA 2009;
“UK expenditure condition” has the same meaning as in that Part after the amendments made by paragraph 5;
“European expenditure” and “European expenditure condition” have the same meanings as in that Part before the amendments made by paragraph 5.
(10)For the purposes of this paragraph, an orchestral concert or concert series “enters production” when core expenditure is first incurred on it.
12(1)This paragraph makes transitional provision in relation to paragraph 6.
(2)The amendments made by that paragraph have effect in relation to accounting periods ending on or after 1 April 2024.
(3)Sub-paragraph (4) applies in a case where expenditure incurred before 1 April 2024 is to be taken into account as qualifying expenditure for the purposes of section 1217RE of CTA 2009 (amount of relief for orchestral concert).
(4)The references in subsections (2) and (3) of that section (as amended by paragraph 6) to so much of the qualifying expenditure incurred to date as is UK expenditure are to be read as references to so much of the qualifying expenditure incurred to date as—
(a)has been incurred before 1 April 2024 and is European expenditure, or
(b)has been incurred on or after that date and is UK expenditure.
(5)But if the orchestral concert or concert series in relation to which sub-paragraph (4) applies has entered production before 1 April 2024, the production company may elect for that sub-paragraph to have effect in relation to that concert or series as if “2025” were substituted for “2024”.
(6)In this paragraph—
“orchestral concert”, “concert series”, “production company” and “core expenditure” have the same meanings as in Part 15D of CTA 2009;
“UK expenditure” has the same meaning as in that Part after the amendments made by paragraph 5;
“European expenditure” has the same meaning as in that Part before the amendments made by paragraph 5.
(7)For the purposes of sub-paragraph (5), an orchestral concert or concert series “enters production” when core expenditure is first incurred on it.
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